Join Adobe and Tempo for an exclusive session on storytelling, technology, and craft. First, Adobe’s Kerstin Ebert showcases the latest Premiere features, including new assistive and generative workflows that reduce friction and expand creative possibilities. Then, we step beyond the tools to explore the true artistry of editing. Three acclaimed film editors join us to discuss how they shape rhythm, elevate performances, and author the final story in the editing room.

Saturday, October 24th at 6pm CEST (4pm UTC) via Microsoft Teams

If you want to attend, please click on this  Registration Link

Samantha Bacon and Christine Resch from Adobe and Alejo Santos and Özcan Vardar from TEMPO will host this webinar with the support of the extended Adobe Video Team.

Part I – What’s New in Adobe Premiere
Kerstin Ebert from Adobe will kick us off with a 45-minute look at some of the newest features and workflows in Adobe Premiere. She’ll showcase new assistive and generative capabilities and how they can fit into an actual editorial workflow. Whether that means getting through repetitive work faster, trying an idea while it’s still fresh, or having more room to experiment directly in the timeline.

Part II – “Editors as Creators” Panel Discussion
“What does an editor actually create?” Three acclaimed film editors discuss their creative impact, shaping performance, rhythm, structure, and emotion and how their craft and authorship evolve as technological limitations disappear and tools advance.

Guest Speakers:

Agnieszka Glińska (PSM, Poland) is an acclaimed Polish film editor whose work has gained international recognition. She studied Cultural Studies with a specialization in film at the University of Łódź and later trained in film editing at the Łódź Film School. A member of the Polish Association of Editors, the Polish Film Academy, the European Film Academy, and the Academy of Motion Picture Arts and Sciences, Glińska has edited numerous feature films and documentaries. Her credits include Jerzy Skolimowski’s 11 Minutes and EO, Magnus von Horn’s Sweat and The Girl with the Needle, Valdimar Jóhannsson’s Lamb, and Agnieszka Smoczyńska’s The Silent Twins. Her precise and creative editing has earned her major awards in Poland and abroad, including Polish Academy Awards for Best Editing for 11 Minutes, EO, and The Girl with the Needle. Her films have also competed at major international festivals, including Cannes, establishing Glińska as one of Poland’s leading contemporary film editors.

Eduardo Serrano (edt., Brazil)  holds a Master’s degree in Editing from the National Film & Television School (NFTS) in England. His feature film work has been selected for competition at prestigious international festivals including IDFA, Rotterdam, Locarno, Venice, and Cannes. Notable collaborations include editing Neon Bull by Gabriel Mascaro, which won the Special Jury Prize at Venice, and Aquarius and Bacurau for director Kleber Mendonça Filho, both premiered at Cannes. He worked on War Pony with Riley Keough and Gina Gammel, which won the Camera d’Or at Cannes 2022. His most recent project, The Secret Agent, premiered at this year’s Cannes Film Festival, earning multiple accolades including Best Male Performance for Wagner Moura and Best Director for Kleber Mendonça Filho.

Tomislav Pavlic (HFM, Croatia) was born in Zagreb, Croatia, in 1973, where he earned a degree in Film Editing from the Academy of Dramatic Art. His filmography includes more than thirty feature films, as well as numerous short fiction films, documentaries, and television series. The films and TV series he has edited have been screened and awarded at festivals including Cannes, Berlin, Sarajevo, Tallinn, Moscow, Toronto, Series Mania and many others. For his work, he has received five Golden Arena Awards at the Pula Film Festival, Croatia’s leading national film awards. He serves as Vice President of the Association of Croatian Film Editors and is a member of the European Film Academy.

Part III –  Q&A
We’ll wrap up with an open Q&A with our speakers and the Adobe team.
We look forward to having you join us.  A recording will be shared after the event.